Baseball History Podcast

Baseball HP 0814: Wilbur Rogan

 
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Welcome to the Baseball History Podcast: Featuring This Week in Baseball History, baseball dictionary and a tour of baseball cities.  I’m your game announcer Bob Wright.

This is game 14 of the 2008 baseball season

In the first inning let’s take a look at This Week in Baseball History for the 4 week of March.

March 28

1985 Sports Illustrated’s April 1st edition tricks the nation as author George Plimpton weaves a fictitious tale of Sidd Finch, a Met rookie phenom who throws 168 mph fastball. Staged photographs and quotes from Mets in real life help to give the story a realistic edge.

Wilbur Rogan, nicknamed Bullet or Bullet Joe, was born July 28, 1889 in Oklahoma City, OK

An outstanding pitcher with a tremendous fastball, a fine curve, and good control, “Bul­let” Rogan was a star for the Kansas City Monarchs for almost twenty years.  The 5′ 7″, 180 lb right­hander was a smart pitcher who used a no-windup delivery, a sidearm motion, and always kept the ball down.  In addition to his basic pitches, he included a forkball, palmball, and spitter in his repertory.

A durable workhorse averaging thirty starting assignments per year for a decade and rarely being relieved, this ver­satile player’s value to the team was inestima­ble.  He also was a superb fielder and a dangerous hitter with good power.

He had strong wrists and used a heavy bat, and when not performing on the mound, he played in the outfield to keep his big bat in the lineup.  A good curveball hitter with a smooth swing, he often batted in the cleanup position, and was credited with a league-high 16 homers in 1922.

He consistently hit over .300, compil­ing averages of .351, .416, .412, .366, .314, .330, .353, .341, and .311 for the years 1922-1930.  On the mound he registered sea­sons of 13-6, 12-8, 16-5, 15-2, 12-4, 15-6, and 9-3 for the first seven of those years.

He showcased his stamina and versatility when he gained 2 victories with a single loss in the 1924 Negro World Series against the great Hilldale club, pitching 3 complete games and relieving in another while compiling a 2.57 Earned Run Average and batting .325 while playing in the out­field in the other 6 games.

The following year, without Rogan on the mound in the World Series due to an injury incurred while playing with his young son, the Monarchs lost to the same Hilldale club.  How­ever, in the playoffs for the league champion­ship against the St. Louis Stars, he hit. 500.

In 1926 he assumed the team’s managerial reins, and with his leadership and performance at bat and on the mound, the Monarchs won the first-half championship before losing a heart­breaking 5-out-of-9 playoff to the second-half champions, the Chicago American Giants.  Rogan batted .583 and, in a valiant effort to stave off defeat, started both ends of a double-header on the last day of the playoff, but to no avail as he dropped both contests to Willie Fos­ter, who also pitched both games.

The Monarchs captured another Negro Na­tional League pennant in 1929, but the next year Rogan was seriously ill and, at the end of the season, the club disbanded.  In August 1931 the team was reorganized and, having regained his health, Rogan resumed his role as manager, and most of the ex-Kansas City players signed again with the Monarchs.  A knowledgeable manager, he provide capable leadership and continued as manager of the Monarchs during his twilight years, until his retirement in 1938.

During this time he was variously described as easygoing, jolly, quiet, and gentlemanly by some observers, but characterized by others as arrogant, uncooperative, and demanding of his players.

An Oklahoman by birth, he was reared in Kansas City, Kansas, and began his baseball career as a catcher with Fred Palace’s Colts in 1908.  The next season he played with the Kan­sas City Giants, and was credited with 54 con­secutive wins at that level of competition before joining the Army in the fall of 1911.

He remained in the Army through 1919, cap­taining the camp baseball teams while stationed in the Philippines, Hawaii, and Arizona.  While playing baseball with the infantry baseball team at Fort Huachua, he was recommended by Casey Stengel to J. L. Wilkinson, owner of the All Nations baseball team.  Rogan was signed and played as a shortstop-left fielder-pitcher with the 1917 All Nations team.  Wil­kinson also owned the Kansas City Monarchs, and when he entered the Monarchs in the first Negro National League, he moved Rogan to the league club.

The hard-throwing right­hander also played in the California winter league with the Los Angeles White Sox in 1917 and again in 1920, as a pitcher hitting fifth in the batting order.  He had slim legs and hips, but a solid upper torso with square shoul­ders and a trim, military bearing that made him appear bigger than his actual size.

In exhibitions against major-leaguers, Rogan is credited with a .329 batting average, making his last appearance at age forty-eight, when he collected 3 hits against Bob Feller’s All-Stars.  Jocko Conlan, who often played against black teams before beginning his career as an um­pire, regarded Rogan as one of the greats of the Negro Leagues, describing his motion as “a nice, easy delivery” and declaring him to be faster than Satchel Paige.

After closing out his managerial career, Rogan followed Con­lan’s progression from player to arbiter, and umpired in the Negro American League through the 1946 season.  After retiring from his second baseball career he worked in the post office in Kansas City.

Wilbur Rogan died March 4, 1967 in Kansas City, Mo.

In this inning we’ll open up the Baseball Dictionary

Under the letter: C

Changeup A modern term for change of pace; a slow ball thrown after one or more fast-balls, or a letup pitch thrown to look like a fastball to upset the batter’s timing.

It is thrown with the same windup and arm speed of a fastball but with reduced velocity and the intention of deceiving the batter making it, in the opinion of some, the most difficult pitch to master.  To do so requires a differ­ent grip, usually either a “choke” hold, in which the ball is shoved back into the hand, or a “circle” con­figuration, in which the pitcher uses his thumb and index finger to form a circle around on side of the ball, with the outside three fingers atop the ball sitting deep in his palm. 

“The slow pitch that follows the fast breaking curve is the change-up off the curve ball” (Arthur Mann, How to Play Win­ning Baseball, 1953).

1st Use. 1948. “He’s got everything—speed, curve, change-up and plenty of heart” (Birmingham News, May 7).

Usage Note. The term is still a pretentious way of saying “slow ball” to older ears.  In his essay “The Grand Old Game,” Jim Murray (The Best of Jim Murray, 1965) quotes veteran writer Jack Olsen: “Know what they call a ‘slow ball’ nowadays? A ‘changeup’! Now, I ask you!”

If you would like to a part of Baseball History Podcast, submit your written contribution for the tour segment.  I will only be doing the tour when one is sent in by a listener.  You can do the segment on any stadium or team; past or present; Minor League, Major League, Negro League or any league outside of the US.  Write about 1 page in a conversational tone, send it to me, I will record it, and you will get the credit.

You can email me at baseballhistory@gmail.com. You can leave a voice mail at: 206-888-6506.  If you need more baseball, I invite you to check out Just Baseball at justbaseballpodcast.com.  Well, that’s it for today’s game of Baseball History Podcast.  I’ll see you later at the ballpark.

TWIBH- Wilbur
Rogan

Dictionary- Changeup

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